The Haunted History Of Halloween - Video

The Haunted History Of Halloween Video - Part 1

Halloween, celebrated each year on October 31, is a mix of ancient Celtic practices, Catholic and Roman religious rituals and European folk traditions that blended together over time to create the holiday we know today. Straddling the line between fall and winter, plenty and paucity and life and death, Halloween is a time of celebration and superstition. Halloween has long been thought of as a day when the dead can return to the earth, and ancient Celts would light bonfires and wear costumes to ward off these roaming ghosts. 


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Halloween Fun Facts and Trivia - 100 Interesting Halloween Facts

Below you'll find some interesting Halloween facts, traditions and other bits of information relating to the history of Halloween. You can always find a way to use these interesting Halloween facts at your party, for instance in a Halloween quiz.

Behind the name "Halloween", or the "Hallow E'en" as they call it in Ireland, means 'All Hallows Eve', or the night before the 'All Hallows', also called 'All Hallowmas', or 'All Saints', or 'All Souls' Day, observed on November 1.

One story says that on Nov. 1 the disembodied spirits of all those who had died throughout the preceding year would come back in search of living bodies to possess for the next year. It was believed to be their only hope for the afterlife. The Celts believed all laws of space and time were suspended during this time, allowing the spirit world to intermingle with the living.

Naturally, the still living did not want to be possessed. So on the night of October 31, villagers would extinguish the fires in their homes, to make them cold and undesirable. They would then dress up in all manner of ghoulish costumes and noisily paraded around the neighborhood, being as destructive as possible in order to frighten away spirits looking for bodies to possess.

Another one of those interesting Halloween facts has to do with the custom of trick-or-treating. This custom is thought to have originated not with the Irish Celts, but with a ninth-century European custom called "souling". On November 2, All Souls Day, early Christians would walk from village to village begging for "soul cakes," made out of square pieces of bread with currants. The more soul cakes the beggars would receive, the more prayers they would promise to say on behalf of the dead relatives of the donors. At the time, it was believed that the dead remained in limbo for a time after death, and that prayer, even by strangers, could expedite a soul's passage to heaven.

Another assumption: On the evening before Samhain (another name for Halloween), people left food on their doorsteps to keep hungry spirits from entering the house. Festivalgoers started dressing in ghost, witch, and goblin costumes so that wandering spirits would leave them alone. To this day, these are Halloween's most popular costumes. 

The Irish used turnips as their "Jack's lanterns" originally. But when the immigrants came to America , they found that pumpkins were far more plentiful than turnips. So the Jack-O-Lantern in America was a hollowed-out pumpkin, lit with an ember.

Growing big pumpkins is a big-time and serious hobby. Top prize money for the biggest giant pumpkin is as much as $25,000 dollars at fall festivals. The current world record for giant pumpkins is 1446 pounds (that's a lot of pumpkin pies!).

More interesting Halloween facts have to do with witches. "Witch" comes from the Saxon word wicca which means 'wise one'. Witches were thought to be wise enough to tell the future.

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Crying Boy Cursed Painting

‘The Curse of the Crying Boy’ appeared out of the blue one morning in 1985. The Sun, at that time the most popular tabloid newspaper in the English-speaking world, published on page 13 of its 4 September edition a story headlined: “Blazing Curse of the Crying Boy”. It told how Ron and May Hall blamed a cheap painting of a toddler with tears rolling down his face for a fire which gutted their terraced council home in Rotherham, a mining town in South Yorkshire. The blaze broke out in a chip-pan in the kitchen of their home of 27 years and spread rapidly. But although the downstairs rooms of the house were badly damaged, the framed print of the Crying Boy escaped unscathed. It continued to hang there, surrounded by a scene of devastation.

Normally a chip-pan blaze would merit nothing more than a couple of paragraphs in a local newspaper. What transformed this story into a page lead in Britain’s leading tabloid was the intervention of Ron Hall’s brother Peter, a firefighter based in Rotherham. A colleague of Peter’s, station officer Alan Wilkinson, said he knew of numerous other cases where prints of the ‘Crying Boy’ had turned up, undamaged, in the ruins of homes destroyed by fires. Accompanying the article was a photograph of a ‘Crying Boy’, with the caption: “Tears for fears… the portrait that firemen claim is cursed.”

The firemen concerned had not actually used the word ‘cursed’, but nevertheless the newspaper report had helped to give the story a certain level of credibility. The paper added that an estimated 50,000 ‘Crying Boy’ prints, signed ‘G Bragolin’, had been sold in branches of British department stores, particularly in the working class areas of northern England. Examples could be seen hanging in the front rooms of family homes across the nation, and one story even suggested a quarter of a million had been sold.

After one month of hearing all the tales, the “Sun” gave their readers the chance to bring their “Crying boy” paintings and agreed to have a very large bon fire to rid everyone of this cursed or jinxed painting. All paintings that were brought to the newspaper were in fact burned and everyone rejoiced. However, the story goes on. There have been reports of the crying boy painting being found in charred homes untouched since 1985 and as recent as 1988.

Typical of these additional stories was that told by Dora Mann, from Mitcham, Surrey, who claimed her house was gutted just six months after she bought a print of the painting. “All my paintings were destroyed – except the one of the Crying Boy,” she claimed. Sandra Kaske, of Kilburn, North Yorkshire, said that she, her sister-in-law, and a friend had all suffered disastrous fires since they acquired copies. Another family, from Nottingham, blamed the print for a blaze which had left them homeless. Brian Parks, whose wife and three children needed treatment for smoke inhalation, said he had destroyed his copy after returning from hospital to find it hanging – undamaged, of course – on the blackened wall of his living room. As the stories accumulated, new details emerged that encouraged the idea that possession of a print put owners at risk of fire or serious injury. 

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The Mysterious Case of Bridey Murphy

In the 1950s hypnotist Morey Bernstein of Pueblo, Colorado, was working with one of his clients, a twenty-nine-year old housewife and mother named Virginia Tighe when, during one of their sessions, she spoke with the voice and memories of a nineteenth-century Irishwoman named Bridey Murphy. The first time this occurred, Bernstein had been trying to help Tighe to remember her childhood and had casually suggested that she “go to some other place in some other time.” He meant for her to remember some other period of her life, but instead she seemed to jump to the life of someone else who had lived long before. In an Irish accent, she told Bernstein that she, Bridey Murphy, had been born in 1798 and died in 1864 of complications from a broken hip. Virginia Tighe herself was born in the Midwest in 1923, had never been to Ireland, and did not speak with even the slightest hint of an Irish accent.

In this and subsequent hypnosis sessions, she also provided Bernstein with numerous details about her family, experiences, likes and dislikes. For example, she gave the name of the Catholic church in Belfast, Ireland, where she had married Sean Brian Joseph McCarthy in 1818 and offered detailed descriptions of places where she had shopped for food. She also told Bernstein about the time in-between lives, when the spirit waited for a new existence. During this period, she said, she could travel anywhere with just a thought.

Her tale began in 1806 when Bridey was eight years old and living in a house in Cork. She was the daughter of Duncan Murphy, a barrister, and his wife Kathleen. At the age of 17 she married lawyer Sean Brian McCarthy and moved to Belfast. Bridey told of a fall that caused her death and of watching her own funeral, describing her tombstone and the state of being in life after death. It was, she recalled, a feeling of neither pain nor happiness. Somehow, she was reborn in America, although Bridey was not clear how this reincarnation happened.

Bernstein tape-recorded each session, and in 1956 he published a book based on his work, "The Search for Bridey Murphy". (Bernstein called Tighe “Ruth Simmons” in his writings in order to protect her anonymity, but journalists soon uncovered her real name.) Skeptics soon began noting flaws in Tighe’s story. Many of her place descriptions, including details about where Murphy had bought her food, were accurate, but other facts were not. The same was true of her language; some of the words she used were appropriate diction for a nineteenth-century Irishwoman, but others were those of a twentieth-century American. In addition, neither skeptics nor believers could find any evidence that anyone named Bridey Murphy had ever lived. Searches of church baptismal records and other records turned up nothing. 

Read more on  Bridey Murphy Reincarnation case

4000-year-old Aryan city discovered in Russia

Spiral cities built on remote Russian plains by swastika-painting Aryans

Russian archaeologists have unearthed some ancient and virtually unknown settlements which they believe were built by the original Aryan race about 4000 years ago.

According to the team which has discovered 20 of the spiral-shaped settlements in remote part of Russia steppe in southern Siberia bordering Kazakhstan, the buildings date back to the beginning of Western civilisation in Europe.

The Bronze-age settlements, the experts said, could have been built shortly after the Great Pyramid some 4000 years ago by the original Aryan race whose swastika symbol was later adopted by the Nazis in the 1930s.

TV historian Bettany Hughes, who explored the desolate part of the Russian steppe for BBC programme 'Tracking The Aryans', said: "Potentially, this could rival ancient Greece in the age of the heroes."

"Because I have written a lot about the Bronze Age world, there always seemed to be this huge missing piece of the jigsaw puzzle," Hughes was quoted as saying by the Daily Mail.

She said: "We are all told that there is this kind of mother tongue, proto-Indo-European, from which all the languages we know emerge.

"I was very excited to hear on the archaeological grapevine that in exactly the period I am an expert in, this whole new Bronze Age civilisation had been discovered on the steppe of southern Siberia."

The remains of the ancient city were explored for the first time around 20 years ago shortly after then Soviet officials relaxed strict laws banning non-military aerial photography.

But because of the region is so remote the incredible cities have remained virtually unknown to the rest of Europe until now, according to the archaeologists 

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Druidry recognised as religion in Britain for first time

The Druid Network has been given charitable status by the Charity Commission for England and Wales, the quango that decides what counts as a genuine faith as well as regulating fundraising bodies.

It guarantees the modern group, set up in 2003, valuable tax breaks but also grants the ancient religion equal status to more mainstream denominations. This could mean that Druids, the priestly caste in Celtic societies across Europe, are categorised separately in official surveys of religious believers.

Supporters say the Charity Commission’s move could also pave the way for other minority faiths to gain charitable status.

Phil Ryder, Chair of Trustees for The Druid Network, said it had taken four years for the group to be recognised by the regulator. “It was a long and at times frustrating process, exacerbated by the fact that the Charity Commissioners had no understanding of our beliefs and practices, and examined us on every aspect of them. Their final decision document runs to 21 pages, showing the extent to which we were questioned in order to finally get the recognition we have long argued for,” he said.

Emma Restall Orr, founder of The Druid Network, added: “The Charity Commission now has a much greater understanding of Pagan, animist, and polytheist religions, so other groups from these minority religions – provided they meet the financial and public benefit criteria for registration as charities - should find registering a much shorter process than the pioneering one we have been through.”

In its assessment of the Druid Network’s application, the Charity Commission accepts that Druids worship nature, in particular the sun and the earth but also believe in the spirits of places such as mountains and rivers as well as “divine guides” such as Brighid and Bran.

The document lists the “commonality of practice” in Druidry, including its eight major festivals each year; rituals at different phases of the moon; rites of passage and gatherings of bards on sacred hills, known as “gorsedd”. 

 

Read more at http://theunexplainedmysteries.com/Druidry-Religion.html